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    • FORTRESS OF SOLITUDE / FLUX ULTRALUX
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  • About
  • Projects
    • Alternative Monuments / Monumentos Alternativos
    • Revolutions Generators
    • Atmospheres of Influence – Hyperpolyglots
    • Mestizo Dispossessed
    • Sin Creases
    • SWELL
    • Revolutions Regenerator
    • Revolutions Generator Evolutions
    • Imágen Arquitexturas
    • Lazaro’s Run
    • Multiverso 3
    • Neo-Quechquémitl
    • Multiverso II
    • Celestial Bodies
    • The Sun Came Out at Night and Sang to Me
    • Love Duster
    • Multiverso
    • Binarynversion – Jedi
    • Constellation Chihuahua
    • Superextremos Ulteriores
    • Fragmente
    • Ultraterrestrial
    • Wide Latin
    • Luz mutante
    • Marco de Pasión
    • FORTRESS OF SOLITUDE / FLUX ULTRALUX
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Archive

May 2, 2018 In By De Anda

Fragmente

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May 1, 2018 In By De Anda

Ultraterrestrial

0
April 30, 2018 In By De Anda

Wide Latin

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April 29, 2018 In By De Anda

Luz mutante

0
April 28, 2018 In By De Anda

Marco de Pasión

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April 28, 2018 In By De Anda

FORTRESS OF SOLITUDE / FLUX ULTRALUX

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April 27, 2018 In By De Anda

Hasta la Próxima (Until we Meet Again)

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April 26, 2018 In By De Anda

Shag Quixote

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April 25, 2018 In By De Anda

Two-Headed Ceramic Beast

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April 24, 2018 In By De Anda

Lazaro / Fantasmas No Lloran (Phantasms Don’t Cry)

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Projects

  • Alternative Monuments / Monumentos Alternativos
  • Revolutions Generators
  • Atmospheres of Influence – Hyperpolyglots
  • Mestizo Dispossessed

PHOTO STREAM

Instagram post 17945068437215401 Instagram post 17945068437215401
It’s an honor to present Hinges of the Western Hem It’s an honor to present Hinges of the Western Hemisphere with collaborative partner Eugene Ahn @onethousandlifetimes for the exhibition
Imaginary Lines of Conflict featured at @trifulca_madrid, and curated by @carlosbeltran with @durdenandray, which opened June 12!

Our flying laser-cut, abstracted hinge installation, incorporates an AR app developed by Eugene.

When your camera finds the sculpture of Vlad Tepes, you are facing Bucharest, Romania. When your camera finds the sculpture of Don Quixote and Sancho Panza, you are facing Madrid, Spain. Users can also interactively flick hinges back and forth between these locations.

The concept of imaginary lines of conflict extends beyond political borders. These invisible systems—shaped by institutions, policies and cultural norms—determine access to healthcare, education, housing and economic opportunity as strongly as physical walls or checkpoints.

Artists respond by reclaiming space and narrative. Through murals, mapping, sculpture and multimedia works, they expose inequality and transform contested sites into spaces of solidarity. Community-based projects and public interventions propose alternatives rooted in mutual aid, dialogue and cultural memory.

The exhibition brings together artists working across disciplines to question the legitimacy of these boundaries and imagine more equitable futures. It invites viewers to reflect on how systems of exclusion operate and how they might be dismantled through cultural and collective action.

Visitors are invited to engage with the works as spaces of reflection, questioning how visibility, access, and belonging are shaped by unseen structures in everyday life.

By tracing these narratives, the exhibition encourages dialogue across contexts and highlights the role of art in imagining more equitable futures.

It's a pleasure to have the opportunity with a group of such amazing international artists!
It’s an honor to present Hinges of the Western Hem It’s an honor to present Hinges of the Western Hemisphere with collaborative partner Eugene Ahn @onethousandlifetimes for the exhibition
Imaginary Lines of Conflict featured at @trifulca_madrid, and curated by @carlosbeltran with @durdenandray, which opened June 12!

Our flying laser-cut, abstracted hinge installation, incorporates an AR app developed by Eugene.

When your camera finds the sculpture of Vlad Tepes, you are facing Bucharest, Romania. When your camera finds the sculpture of Don Quixote and Sancho Panza, you are facing Madrid, Spain. Users can also interactively flick hinges back and forth between these locations.

The concept of imaginary lines of conflict extends beyond political borders. These invisible systems—shaped by institutions, policies and cultural norms—determine access to healthcare, education, housing and economic opportunity as strongly as physical walls or checkpoints.

Artists respond by reclaiming space and narrative. Through murals, mapping, sculpture and multimedia works, they expose inequality and transform contested sites into spaces of solidarity. Community-based projects and public interventions propose alternatives rooted in mutual aid, dialogue and cultural memory.

The exhibition brings together artists working across disciplines to question the legitimacy of these boundaries and imagine more equitable futures. It invites viewers to reflect on how systems of exclusion operate and how they might be dismantled through cultural and collective action.

Visitors are invited to engage with the works as spaces of reflection, questioning how visibility, access, and belonging are shaped by unseen structures in everyday life.

By tracing these narratives, the exhibition encourages dialogue across contexts and highlights the role of art in imagining more equitable futures.

It's a pleasure to have the opportunity with a group of such amazing international artists!
Thank you @etaj_artistrunspace for inviting us to Thank you @etaj_artistrunspace for inviting us to participate in @mobu.art.bucharest #4! It was incredible to exhibit along with so many great Bucharest artists together with collaborator Eugene Ahn @onethousandalietimes and @durdenandray artists @carlosbeltranart and @maxpresneill.

It was super to be able to share our aluminum print diptych, Monumentos Liminales (flores), including the embedded interactive AR feature developed by Eugene Ahn.

Thank you Bucharest! We look forward to returning soon!
© Copyright Ismael de Anda III